{"id":366,"count":0,"description":"<p data-start=\"200\" data-end=\"255\"><strong data-start=\"200\" data-end=\"253\">Lives and works in the Landes de Gascogne Forest.<\/strong><\/p>\r\n<p data-start=\"257\" data-end=\"785\">Sculpts both space and materials. His gaze extends far, both over the material elements that shape a territory and the symbolic elements that allow humans to inhabit it. The artist maintains a close connection with nature, particularly the Landes forest where he lives. He collects and carves wood to create anthropomorphic totemic works as well as painted masks with animal-like contours, designed to be handled. Visitors can then let themselves be inhabited by the spirit of the animal, as a continuation of an ancestral rite.<\/p>\r\n\r\n\r\n<hr data-start=\"787\" data-end=\"790\" \/>\r\n<p data-start=\"792\" data-end=\"818\"><strong data-start=\"796\" data-end=\"818\">Public Collections<\/strong><\/p>\r\n\r\n<ul data-start=\"819\" data-end=\"1830\">\r\n \t<li data-start=\"819\" data-end=\"917\">\r\n<p data-start=\"821\" data-end=\"917\"><strong data-start=\"821\" data-end=\"829\">2024<\/strong> \u2013 1% Lyc\u00e9e-Coll\u00e8ge du Barp (33), France<br data-start=\"869\" data-end=\"872\" \/>1% Coll\u00e8ge de Saint-Herblain (44), France<\/p>\r\n<\/li>\r\n \t<li data-start=\"918\" data-end=\"1017\">\r\n<p data-start=\"920\" data-end=\"1017\"><strong data-start=\"920\" data-end=\"928\">2023<\/strong> \u2013 Frac-M\u00e9ca, Bordeaux, France (acquisition by Friends of Frac-M\u00e9ca Nouvelle Aquitaine)<\/p>\r\n<\/li>\r\n \t<li data-start=\"1018\" data-end=\"1137\">\r\n<p data-start=\"1020\" data-end=\"1137\"><strong data-start=\"1020\" data-end=\"1028\">2021<\/strong> \u2013 Abrakadabracommedescastors, Cabane Georgina, Marseille, France (curator: Jeremy Chabaud, Jeune Cr\u00e9ation)<\/p>\r\n<\/li>\r\n \t<li data-start=\"1138\" data-end=\"1221\">\r\n<p data-start=\"1140\" data-end=\"1221\"><strong data-start=\"1140\" data-end=\"1148\">2019<\/strong> \u2013 Les M\u00e9tamorphoses de Champey, Le Vent des For\u00eats, Dompcevrin, France<\/p>\r\n<\/li>\r\n \t<li data-start=\"1222\" data-end=\"1312\">\r\n<p data-start=\"1224\" data-end=\"1312\"><strong data-start=\"1224\" data-end=\"1232\">2014<\/strong> \u2013 La Porte des Titans, Val de Garonne Agglom\u00e9ration, Le Mas d\u2019Agenais, France<\/p>\r\n<\/li>\r\n \t<li data-start=\"1313\" data-end=\"1433\">\r\n<p data-start=\"1315\" data-end=\"1433\"><strong data-start=\"1315\" data-end=\"1323\">2013<\/strong> \u2013 La Sauvet\u00e9 de Garbachet, La For\u00eat d\u2019Art Contemporain, Broca-les-Forges, France (curator: Didier Arnaudet)<\/p>\r\n<\/li>\r\n \t<li data-start=\"1434\" data-end=\"1505\">\r\n<p data-start=\"1436\" data-end=\"1505\"><strong data-start=\"1436\" data-end=\"1444\">2011<\/strong> \u2013 Der Pelikan von Baumburg, Altenmarkt an der Alz, Germany<\/p>\r\n<\/li>\r\n \t<li data-start=\"1506\" data-end=\"1667\">\r\n<p data-start=\"1508\" data-end=\"1667\"><strong data-start=\"1508\" data-end=\"1516\">2009<\/strong> \u2013 1%, Banque d\u2019Accueil, Universit\u00e9 de Pau et des Pays de l\u2019Adour, Bayonne, France<br data-start=\"1598\" data-end=\"1601\" \/>1%, Protocole d\u2019\u00c9valuation Dynamique, Coll\u00e8ge de Linxe, France<\/p>\r\n<\/li>\r\n \t<li data-start=\"1668\" data-end=\"1730\">\r\n<p data-start=\"1670\" data-end=\"1730\"><strong data-start=\"1670\" data-end=\"1678\">2002<\/strong> \u2013 Muzeul de Art\u0103 Comparat\u0103, S\u00eengeorz-B\u0103i, Romania<\/p>\r\n<\/li>\r\n \t<li data-start=\"1731\" data-end=\"1768\">\r\n<p data-start=\"1733\" data-end=\"1768\"><strong data-start=\"1733\" data-end=\"1741\">1993<\/strong> \u2013 FRAC Aquitaine, France<\/p>\r\n<\/li>\r\n \t<li data-start=\"1769\" data-end=\"1830\">\r\n<p data-start=\"1771\" data-end=\"1830\">Monument aux Morts pour la France, Bas-Mauco (40), France<\/p>\r\n<\/li>\r\n<\/ul>\r\n\r\n<hr data-start=\"1832\" data-end=\"1835\" \/>\r\n<p data-start=\"1837\" data-end=\"1851\"><strong data-start=\"1841\" data-end=\"1851\">Grants<\/strong><\/p>\r\n\r\n<ul data-start=\"1852\" data-end=\"2233\">\r\n \t<li data-start=\"1852\" data-end=\"1902\">\r\n<p data-start=\"1854\" data-end=\"1902\"><strong data-start=\"1854\" data-end=\"1862\">2023<\/strong> \u2013 Fonds d\u2019\u0152uvres et d\u2019Archives, ADAGP<\/p>\r\n<\/li>\r\n \t<li data-start=\"1903\" data-end=\"2004\">\r\n<p data-start=\"1905\" data-end=\"2004\"><strong data-start=\"1905\" data-end=\"1913\">2021<\/strong> \u2013 Ekphrasis Grant, text by Charlotte Cosson, ADAGP \/ AICA-France \/ Le Quotidien de l\u2019Art<\/p>\r\n<\/li>\r\n \t<li data-start=\"2005\" data-end=\"2067\">\r\n<p data-start=\"2007\" data-end=\"2067\"><strong data-start=\"2007\" data-end=\"2015\">2015<\/strong> \u2013 Artist Mobility Grant, R\u00e9gion Aquitaine, France<\/p>\r\n<\/li>\r\n \t<li data-start=\"2068\" data-end=\"2130\">\r\n<p data-start=\"2070\" data-end=\"2130\"><strong data-start=\"2070\" data-end=\"2078\">2010<\/strong> \u2013 Artist Mobility Grant, R\u00e9gion Aquitaine, France<\/p>\r\n<\/li>\r\n \t<li data-start=\"2131\" data-end=\"2183\">\r\n<p data-start=\"2133\" data-end=\"2183\"><strong data-start=\"2133\" data-end=\"2141\">1990<\/strong> \u2013 Artist Studio Setup Allowance, France<\/p>\r\n<\/li>\r\n \t<li data-start=\"2184\" data-end=\"2233\">\r\n<p data-start=\"2186\" data-end=\"2233\"><strong data-start=\"2186\" data-end=\"2194\">1989<\/strong> \u2013 Individual Creation Grants, France<\/p>\r\n<\/li>\r\n<\/ul>\r\n\r\n<hr data-start=\"2235\" data-end=\"2238\" \/>\r\n<p data-start=\"2240\" data-end=\"2260\"><strong data-start=\"2244\" data-end=\"2260\">Bibliography<\/strong><\/p>\r\n\r\n<ul data-start=\"2261\" data-end=\"2611\">\r\n \t<li data-start=\"2261\" data-end=\"2334\">\r\n<p data-start=\"2263\" data-end=\"2334\"><strong data-start=\"2263\" data-end=\"2271\">2012<\/strong> \u2013 Philippe R\u00e9gnier, <em data-start=\"2292\" data-end=\"2301\">Cent 1%<\/em>, Paris, \u00c9ditions du Patrimoine<\/p>\r\n<\/li>\r\n \t<li data-start=\"2335\" data-end=\"2407\">\r\n<p data-start=\"2337\" data-end=\"2407\"><strong data-start=\"2337\" data-end=\"2345\">2011<\/strong> \u2013 Didier Arnaudet, <em data-start=\"2365\" data-end=\"2405\">La Collection Jean-Jacques Lesgourgues<\/em><\/p>\r\n<\/li>\r\n \t<li data-start=\"2408\" data-end=\"2611\">\r\n<p data-start=\"2410\" data-end=\"2611\"><strong data-start=\"2410\" data-end=\"2418\">2005<\/strong> \u2013 <em data-start=\"2421\" data-end=\"2446\">Itin\u00e9raire Singulier #1<\/em>, Pau, Universit\u00e9 de Pau et des Pays de l\u2019Adour (text by Isabelle Lassignardie, preface by Evelyne Toussaint, English translation by Ma\u00eft\u00e9 Pradel and Didier Machu)<\/p>\r\n<\/li>\r\n<\/ul>\r\n\r\n<hr data-start=\"2613\" data-end=\"2616\" \/>\r\n<p data-start=\"2618\" data-end=\"2635\"><strong data-start=\"2622\" data-end=\"2635\">Education<\/strong><\/p>\r\n\r\n<ul data-start=\"2636\" data-end=\"2876\">\r\n \t<li data-start=\"2636\" data-end=\"2720\">\r\n<p data-start=\"2638\" data-end=\"2720\"><strong data-start=\"2638\" data-end=\"2646\">1991<\/strong> \u2013 DNAP (Jury Congratulations), \u00c9cole des Beaux-Arts de Bordeaux, France<\/p>\r\n<\/li>\r\n \t<li data-start=\"2721\" data-end=\"2783\">\r\n<p data-start=\"2723\" data-end=\"2783\"><strong data-start=\"2723\" data-end=\"2731\">1993<\/strong> \u2013 DNSEP, \u00c9cole des Beaux-Arts de Bordeaux, France<\/p>\r\n<\/li>\r\n \t<li data-start=\"2784\" data-end=\"2876\">\r\n<p data-start=\"2786\" data-end=\"2876\"><strong data-start=\"2786\" data-end=\"2794\">1998<\/strong> \u2013 DU, Project Design and Cultural Mediation, Universit\u00e9 de Bordeaux III, France<\/p>\r\n<\/li>\r\n<\/ul>\r\n\r\n<hr data-start=\"2878\" data-end=\"2881\" \/>\r\n<p data-start=\"2883\" data-end=\"2916\"><strong data-start=\"2887\" data-end=\"2916\">Selected Solo Exhibitions<\/strong><\/p>\r\n\r\n<ul data-start=\"2917\" data-end=\"3971\">\r\n \t<li data-start=\"2917\" data-end=\"3017\">\r\n<p data-start=\"2919\" data-end=\"3017\"><strong data-start=\"2919\" data-end=\"2927\">2024<\/strong> \u2013 <em data-start=\"2930\" data-end=\"2956\">Les Nouveaux Ensembliers<\/em>, \u00d4 P\u00eacheur de Lune, Saint-Sever (curator: B\u00e9atrice Prieur)<\/p>\r\n<\/li>\r\n \t<li data-start=\"3018\" data-end=\"3107\">\r\n<p data-start=\"3020\" data-end=\"3107\"><strong data-start=\"3020\" data-end=\"3028\">2022<\/strong> \u2013 <em data-start=\"3031\" data-end=\"3058\">Art\u00e9mis &amp; la Grande-Ourse<\/em>, Frac-M\u00e9ca, Bordeaux (curator: Claire Jacquet)<\/p>\r\n<\/li>\r\n \t<li data-start=\"3108\" data-end=\"3168\">\r\n<p data-start=\"3110\" data-end=\"3168\"><strong data-start=\"3110\" data-end=\"3118\">2018<\/strong> \u2013 <em data-start=\"3121\" data-end=\"3130\">Masques<\/em>, Galerie du Levant, Bayonne, France<\/p>\r\n<\/li>\r\n \t<li data-start=\"3169\" data-end=\"3256\">\r\n<p data-start=\"3171\" data-end=\"3256\"><strong data-start=\"3171\" data-end=\"3179\">2015<\/strong> \u2013 <em data-start=\"3182\" data-end=\"3191\">Animaux<\/em>, Lyc\u00e9e Agricole de Mugron, France (curator: Camille de Singly)<\/p>\r\n<\/li>\r\n \t<li data-start=\"3257\" data-end=\"3324\">\r\n<p data-start=\"3259\" data-end=\"3324\"><strong data-start=\"3259\" data-end=\"3267\">2013<\/strong> \u2013 <em data-start=\"3270\" data-end=\"3286\">Seconde Nature<\/em>, Espace 3, Sarlat-la-Can\u00e9da, France<\/p>\r\n<\/li>\r\n \t<li data-start=\"3325\" data-end=\"3412\">\r\n<p data-start=\"3327\" data-end=\"3412\"><strong data-start=\"3327\" data-end=\"3335\">2013<\/strong> \u2013 <em data-start=\"3338\" data-end=\"3368\">Demandez ce que vous voudrez<\/em>, Galerie du Second Jeudi, Bayonne, France<\/p>\r\n<\/li>\r\n \t<li data-start=\"3413\" data-end=\"3505\">\r\n<p data-start=\"3415\" data-end=\"3505\"><strong data-start=\"3415\" data-end=\"3423\">2011<\/strong> \u2013 <em data-start=\"3426\" data-end=\"3450\">Le Tr\u00e9sor de la Nature<\/em>, \u00cele Nouvelle, France (curator: Guillaume Toumanian)<\/p>\r\n<\/li>\r\n \t<li data-start=\"3506\" data-end=\"3606\">\r\n<p data-start=\"3508\" data-end=\"3606\"><strong data-start=\"3508\" data-end=\"3516\">2011<\/strong> \u2013 <em data-start=\"3519\" data-end=\"3545\">Der Pelikan von Baumburg<\/em>, Altenmarkt an der Alz, Germany (curator: Andreas Pitlick)<\/p>\r\n<\/li>\r\n \t<li data-start=\"3607\" data-end=\"3675\">\r\n<p data-start=\"3609\" data-end=\"3675\"><strong data-start=\"3609\" data-end=\"3617\">2007<\/strong> \u2013 Ferdinandeum Tiroler Landesmuseum, Innsbruck, Austria<\/p>\r\n<\/li>\r\n \t<li data-start=\"3676\" data-end=\"3721\">\r\n<p data-start=\"3678\" data-end=\"3721\"><strong data-start=\"3678\" data-end=\"3686\">2006<\/strong> \u2013 IUFM de Mont-de-Marsan, France<\/p>\r\n<\/li>\r\n \t<li data-start=\"3722\" data-end=\"3819\">\r\n<p data-start=\"3724\" data-end=\"3819\"><strong data-start=\"3724\" data-end=\"3732\">2005<\/strong> \u2013 <em data-start=\"3735\" data-end=\"3762\">Itin\u00e9raires Singuliers #1<\/em>, Universit\u00e9 de Pau et des Pays de l\u2019Adour, Pau, France<\/p>\r\n<\/li>\r\n \t<li data-start=\"3820\" data-end=\"3919\">\r\n<p data-start=\"3822\" data-end=\"3919\"><strong data-start=\"3822\" data-end=\"3830\">2004<\/strong> \u2013 2nd Sculpture Biennale, Mus\u00e9e Renoir \u2013 Domaine des Collettes, Cagnes-sur-Mer, France<\/p>\r\n<\/li>\r\n \t<li data-start=\"3920\" data-end=\"3971\">\r\n<p data-start=\"3922\" data-end=\"3971\"><strong data-start=\"3922\" data-end=\"3930\">2002<\/strong> \u2013 Barrena Kultur Etxea, Ordizia, Spain<\/p>\r\n<\/li>\r\n<\/ul>\r\n\r\n<hr data-start=\"3973\" data-end=\"3976\" \/>\r\n<p data-start=\"3978\" data-end=\"4012\"><strong data-start=\"3982\" data-end=\"4012\">Selected Group Exhibitions<\/strong><\/p>\r\n\r\n<ul data-start=\"4013\" data-end=\"5203\">\r\n \t<li data-start=\"4013\" data-end=\"4277\">\r\n<p data-start=\"4015\" data-end=\"4277\"><strong data-start=\"4015\" data-end=\"4023\">2023<\/strong> \u2013 <em data-start=\"4026\" data-end=\"4035\">Amiti\u00e9s<\/em>, Frac-M\u00e9ca, Bordeaux<br data-start=\"4056\" data-end=\"4059\" \/><em data-start=\"4061\" data-end=\"4077\">Arbre D\u00e9masqu\u00e9<\/em>, Galerie du Tableau, Marseille, France (curator: J\u00e9r\u00e9my Chabaud)<br data-start=\"4142\" data-end=\"4145\" \/><em data-start=\"4147\" data-end=\"4172\">En Attendant les Vagues<\/em>, Labenne, France (curator: Fran\u00e7ois Lousteau)<br data-start=\"4218\" data-end=\"4221\" \/><em data-start=\"4223\" data-end=\"4236\">Hells-Bells<\/em>, Galerie Bernard Jordan, Paris, France<\/p>\r\n<\/li>\r\n \t<li data-start=\"4278\" data-end=\"4355\">\r\n<p data-start=\"4280\" data-end=\"4355\"><strong data-start=\"4280\" data-end=\"4288\">2021<\/strong> \u2013 <em data-start=\"4291\" data-end=\"4308\">Un \u00c9t\u00e9 \u00e0 Pissos<\/em>, Pissos, France (curator: Pascal Bouchaille)<\/p>\r\n<\/li>\r\n \t<li data-start=\"4356\" data-end=\"4453\">\r\n<p data-start=\"4358\" data-end=\"4453\"><strong data-start=\"4358\" data-end=\"4366\">2020<\/strong> \u2013 <em data-start=\"4369\" data-end=\"4388\">Solarium Tournant<\/em>, Biennale de l\u2019Architecture Disparue #1, Aix-les-Bains, France<\/p>\r\n<\/li>\r\n \t<li data-start=\"4454\" data-end=\"4925\">\r\n<p data-start=\"4456\" data-end=\"4925\"><strong data-start=\"4456\" data-end=\"4464\">2019<\/strong> \u2013 <em data-start=\"4467\" data-end=\"4486\">Don\u2019t Look at Me!<\/em>, Galerie \u201cSorry We Are Closed\u201d, Art Brussels, Belgium (curator: S\u00e9bastien Janssen)<br data-start=\"4569\" data-end=\"4572\" \/><em data-start=\"4574\" data-end=\"4585\">Onsaemiro<\/em>, Art Space Boom, Suwon, South Korea (curator: Magda Guruli)<br data-start=\"4645\" data-end=\"4648\" \/><em data-start=\"4650\" data-end=\"4671\">Doucement Doucement<\/em>, Archives Bordeaux M\u00e9tropole, France (curator: Emmanuel Aragon)<br data-start=\"4735\" data-end=\"4738\" \/><em data-start=\"4740\" data-end=\"4779\">La Mascarade du Chemin du Mauvais Pas<\/em>, Cabane Georgina, Marseille, France (curator: Jeune Cr\u00e9ation)<br data-start=\"4841\" data-end=\"4844\" \/><em data-start=\"4846\" data-end=\"4859\">Vaste Monde<\/em>, La Villa Beatrix Enea, Anglet, France (curator: Lydia Scapini)<\/p>\r\n<\/li>\r\n \t<li data-start=\"4926\" data-end=\"5203\">\r\n<p data-start=\"4928\" data-end=\"5203\"><strong data-start=\"4928\" data-end=\"4936\">2018<\/strong> \u2013 <em data-start=\"4939\" data-end=\"4951\">Touch Wood<\/em>, Galerie \u201cSorry We Are Closed\u201d, Art Brussels, Belgium (curator: S\u00e9bastien Janssen)<br data-start=\"5034\" data-end=\"5037\" \/><em data-start=\"5039\" data-end=\"5048\">Present<\/em>, Museum Van Buuren, Brussels, Belgium (curator: Michel Van Dyck)<br data-start=\"5113\" data-end=\"5116\" \/><em data-start=\"5118\" data-end=\"5132\">Opsiomasques<\/em>, Fablab de Soustons (collaboration with Dylan Cote-Colisson), France<\/p>\r\n<\/li>\r\n<\/ul>\r\n<div class=\"minimog-gallery\">\r\n\r\n[gallery link=\"file\" size=\"large\" ids=\"1559,1560,1561\"]\r\n\r\n<\/div>","link":"https:\/\/opecheurdelune.com\/en\/artistes\/christophe-doucet-en\/","name":"Christophe Doucet","slug":"christophe-doucet-en","taxonomy":"berocket_brand","parent":0,"meta":[],"_links":{"self":[{"href":"https:\/\/opecheurdelune.com\/en\/wp-json\/wp\/v2\/berocket_brand\/366","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opecheurdelune.com\/en\/wp-json\/wp\/v2\/berocket_brand"}],"about":[{"href":"https:\/\/opecheurdelune.com\/en\/wp-json\/wp\/v2\/taxonomies\/berocket_brand"}],"wp:post_type":[{"href":"https:\/\/opecheurdelune.com\/en\/wp-json\/wp\/v2\/product?berocket_brand=366"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}